Áö¸éÀ¸·Î º¸´Â TED °­¿¬ - Á¦À̽¼ Å×ÀÏ·¯(Jason Taylor)

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±×·¹³ª´Ù ¹Ù´Ù ¾È¿¡ Á¶¼ºµÈ ¼öÁßÁ¶°¢°ø¿ø¿¡ Àü½ÃµÈ ÀÛǰµé.


An underwater art museum, teeming with life

Ten years ago, I made my first sculpture called ¡®The Lost Correspondent.¡¯ Teaming up with a marine biologist and a local dive center, I submerged the work off the coast of Grenada. One sculpture became two. Two quickly became 26. And we had the world's first underwater sculpture park. In 2009, I moved to Mexico and started by casting local fisherman. And then finally, to an underwater museum, with over 500 living sculptures.

So why exhibit my work in the ocean? The ocean is the most incredible exhibition space an artist could ever wish for. You have amazing lighting effects changing by the hour, explosions of sand covering the sculptures and the procession of inquisitive visitors, each lending their own special touch to the site. The really humbling thing about the work is that as soon as we submerge the sculptures they're not ours anymore because as soon as we sink them, the sculptures, they belong to the sea. As new reefs form, a new world literally starts to evolve, a world that continuously amazes me. It's a bit of a cliché, but nothing man-made can ever match the imagination of nature. These images translate across the world, and that's made me focus on my responsibility as an artist. Because as we all know, our reefs are dying, and our oceans are in trouble. What I really hope is that people are beginning to understand that when we think of the environment and the destruction of nature, that we need to think about our oceans, too.

The sculpture park in Grenada was instrumental in the government designating a spot, a marine-protected area. The site was actually listed as a "Wonder of the World" by National Geographic. Recently I installed Four Horsemen of the Apocalypse in the Thames River, in central London, right in front of the Houses of Parliament, putting a stark message about climate change in front of the people that have the power to help change things. Because for me, this is just the beginning of the mission. We want to team up with other inventors, creators, philanthropists, educators, biologists, to see better futures for our oceans. And we want to see beyond sculpture, beyond art, even.

So let's think big and let's think deep. Who knows where our imagination and willpower can lead us? I hope that by bringing our art into the ocean, that not only do we take advantage of amazing creativity and visual impact of the setting, but that we are also giving something back, and by encouraging new environments to thrive, and in some way opening up a new way of seeing the seas: as delicate, precious places, worthy of our protection.

°­¿¬ÀÚ : Á¦À̽¼ Å×ÀÏ·¯(Jason Taylor)

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